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The critically acclaimed, indispensible illustrated monograph on Agnes Martin, published to accompany the major retrospective exhibition organized by the Tate and on view in 2016 at the Los Angeles County Museum of Art and the GuggenheimThis groundbreaking survey provides an in-depth account of Martin's artistic career, from lesser-known early experimental works through her striped and gridded grey paintings and use of color in various formats, to a group of her final pieces that reintroduce bold forms. A selection of drawings and watercolors and Martin's own writing are also included. Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's workher life, relationship with other artists, the influence of South-Asian philosophyalongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre. Frances Morris places Martin's work in the art historical context of the time; art historian Richard Tobin analyzes Martins painting "The Islands"; conservator Rachel Barker offers the reader a close viewing of "Morning"; curator Lena Fritsch provides a visual biography by comparing photographic portraits of Martin from different periods; and art historian Jacquelynn Baas delves into the spiritual and philosophical beliefs so present in Martin's art, including Platonism, Christian mysticism, Zen Buddhism and Taoism.Agnes Martin was born in Maklin, Saskatchewan, Canada, in 1912, and moved to the US in 1932, studying at universities in Oregon, California, New Mexico and New York. She painted still lifes and portraits until the early 1950s, when she developed an abstract biomorphic style influenced by Abstract Expressionism. Her first one-woman exhibition was held at the Betty Parsons Gallery, New York, in 1958. Partly through close friendships with artists such as Ellsworth Kelly and Ad Reinhardt, Martin began to experiment with symmetrical compositions of rectangles or circles within a square, then from around 196061 to work with grids of delicate horizontal and vertical lines. She left New York in 1967, shortly after the death of Reinhardt, and moved to New Mexico, where she lived until her death in 2004. Pace Gallery - Agnes Martin Pace celebrates the opening of Agnes Martins retrospective at Tate Modern It is the artists first retrospective since her death in 2004 Agnes Martin MoMA Agnes Bernice Martin (March 22 1912 December 16 2004) born in Canada was an American abstract painter Her work has been defined as an "essay in discretion on Agnes Martin - Guggenheim This exhibition traces Agnes Martins career from her early experiments of the 1950s through her mature oeuvre and final paintings Agnes Martin 19122004 Tate Agnes Bernice Martin (March 22 1912 December 16 2004) born in Canada was an American abstract painter Often referred to as a minimalist Martin considered Agnes Martin - Guggenheim Curator Tracey Bashkoff introduces Agnes Martin on view at the Solomon R Guggenheim Museum October 7 2016January 11 2017 Agnes Martin on Art Happiness Pride and Failure: a rare Gruen prefaces the conversation with a backdrop of what its like to be in Martins singular presence: To meet Agnes Martin in person is to be in the presence of Agnes Martin - Wikipedia Agnes Bernice Martin (March 22 1912 December 16 2004) born in Canada was an American abstract painter Her work has been defined as an "essay in discretion on Agnes Martin - Exhibition at Tate Modern Tate Agnes Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes Although restrained her style was Agnes Martin artnet Biography Agnes Martin was an American-Canadian artist known for her simple clean geometric paintings In pale swathes of color lined with pencil Martins art Agnes Martin: the artist mystic who disappeared into the Art must derive from inspiration Agnes Martin said and yet for decades she painted what seems at first glance to be the same thing over and over again the same
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